Music, Music, Regulars, Reviews, Reviews

Quick Reviews: Lana isn’t quite the Rey of sunshine that we’re searching for.

Every week, one of our writers will be given five tracks – they could be unsigned, they could be international superstars.  Any genre could be included, and the writer gets one week to give their verdict on each song in under 100 words.  This week, Sam Lawson takes his turn.  If you like what you hear, click on the band names to visit their website, and if you want your music to be included in the future, send an MP3, picture, short bio and link to music@camelshump.co.uk.

Thomas Truax holding a gramaphone.  Photo: Chris Saunders

Now I don’t know if I’m ignoring the clique by including a foreword here, but I always think it’s nice when writers introduce what they’re about to say. Isn’t it nice? Isn’t it? Yeah. It is.

This week’s five tracks aren’t anything to rave on about in particular. There are some good tracks. Some. But 50% of the tracks I’m about to review are horse shit. Well, not horse shit. But they’re certainly close to being part of the dungheap. I’m not trying to be mean, I’m trying to be honest, and as an avid, avid fan of music I will stay true to my opinion. Thank you for taking the time to read, and I hope what is said doesn’t ruin any careers!
Deep breath before the plunge, here goes.

Thomas Truax – Beehive Heart

As soon as I heard this, the Mighty Boosh theme song began playing in my head. Think of the ‘crimping’ that they made famous, and then think of this song. They sound alike, yes? Yes. They do. Compare the two until you agree. I think this song is very much the sound The Ting Tings would make if their front person was of the male gender. Although this song lacks in melody and singing, it isn’t without a tune. Very toe tap inducing, I’d expect to hear this in a teen angst moment on UK Drama Skins.

Lana Del Rey  – Born To Die

I’m hearing violins. Violins? From the girl who’s meant to be the next Lady Gaga. First impressions are that it would fit in well at a funeral or some other sort of bereavement event. Obviously, the song is about death and being prepared to die, but perhaps you could play this at the burial of one’s pet? If you’ve ever heard Frankie Goes To Hollywood’s The Power of Love, this will not sound unfamiliar. While the whispering is reminiscent of “I’ll protect you from the hooded claw” introduction from Frankie’s Christmas classic(?). The song is extremely pessimistic, just look at the title. I will not buy the album.

Azari & III- Reckless (With Your Love)

Obviously I’m far too young to have experienced the 80s, but this song reminds me of that era immensely. It’s the type of house beat that I’d expect to hear in a nightclub at the beginning of the rave scene in 1989. I wouldn’t be surprised to hear this thumping from my local social club while they attempt to be gay-friendly. The introduction is very reminiscent of that famous beat Insomnia by Faithless. Repetitive, but not annoyingly so. Vocals wise, think Cee-Lo Green in his Gnarles Barkley era. I highly recommend this to anyone.

 

These Reigning Days – Changes

Surprisingly, I don’t have much to say about this one. Except that it’s very good, and I like it a lot. I extremely recommend buying this as soon as it released on whatever platform is popular in February. The song is a sort of love-triangle-come-bigamist-marriage between Coldplay, Bullet For My Valentine, Editors and Glasvegas. Though frowned upon in some societies, this marriage works extremely well, and I can’t get enough of it. It creates a relaxing atmosphere that is simultaneously very upbeat and catchy and damn I just can’t get enough. (Turns out I did have a lot to say).

Zenon – Love You Forever

I’m trying to listen properly and drown out the ringing sounds of Irish heartbreak pop, but all I can hear is Westlife. The singer’s voice doesn’t particularly suit the genre, the melodies are mismatched with the vocals and there is too much versatility concerning the verse and chorus. If this was placed in line with 1000 other love songs, it wouldn’t particularly stand out. Trying to be unique but failing. That’s not to say that he cannot sing well. Unoriginal but not unpleasant. Top marks for trying, though.

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About samdejour

17 year old A Level student, wanting to share my appreciation for the world.

Discussion

6 thoughts on “Quick Reviews: Lana isn’t quite the Rey of sunshine that we’re searching for.

  1. Lana Del Rey has been described as the ‘gangsta Nancy Sinatra,’ but never, to my knowledge, as the next Gaga. What’s wrong with morbid music? Radiohead, anyone? The point is to elicit an emotional response, and that doesn’t have to be a happy emotion.

    Posted by stuartjamesbox | January 27, 2012, 9:25 am
    • Yes. I’m not sure I’d have survived this assignment/exam season without Thom Yorke and Robert Smith, and of course that depressed rogue Morrisey. Morbid all the way. If you haven’t questioned your worth as a human recently, you’re doing music wrong :p

      Posted by Mell Moore | January 27, 2012, 3:42 pm
    • Just because the song is simultaneously morbid and a bad song, it doesn’t mean all morbid music is bad. For example I love Morrissey. ^

      Posted by lawsowned | January 28, 2012, 4:02 pm
  2. Just noticed the picture of Thomas Truax appears in the middle of the word “Beehive”. I blame the pre-posting editing process!

    Posted by Anonymous | January 27, 2012, 1:09 pm
  3. It doesn’t on my screen – what are you viewing it on?

    Posted by Alicia J Duffy | January 27, 2012, 8:43 pm
  4. I agree on the Lana del Rey. I just don’t get it, nor the hype surrounding her. I just think she sounds boring.

    Posted by Gilraen | January 28, 2012, 4:50 pm

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